Liturgy of the Word

The Responsorial Psalm

The assembly's sung response to the First Reading — drawn from the Book of Psalms, the prayer book of the Church.

What is happening here

Between the First Reading and the Second Reading, the assembly responds in song with a psalm. The Responsorial Psalm is not a second reading; it is the people's response to the Word they have just heard, given in the very prayers that Christ himself prayed in his earthly life and that the Church prays without ceasing in the Liturgy of the Hours.

The structure is simple. A cantor or psalmist sings the verses; the assembly sings the antiphon (the recurring refrain) in response. The antiphon is usually drawn from the psalm itself or from the day's Gospel, and it captures in a single line the spiritual heart of what the assembly is being asked to make its own.

The Responsorial Psalm is properly sung, not recited. The General Instruction of the Roman Missal is direct on this point: "the responsorial psalm should as a rule be sung." The reason is that the psalms themselves are songs — they were written to be sung, prayed in temple worship, prayed by Jesus, prayed by every monastic community since the early Church. To recite a psalm is possible but always second-best.

For Catholic weddings, the Responsorial Psalm is one of the most beloved choices a couple makes — Psalm 128 ("Blessed are those who fear the Lord") and Psalm 34 ("Taste and see the goodness of the Lord") are among the most commonly chosen. For funerals, Psalm 23 ("The Lord is my shepherd") is the universal favorite. The choice of psalm shapes the sound and feel of the entire liturgy.

Frequently asked questions

Should the psalm be sung or can it be read?
It should be sung whenever possible. Reciting is permitted when sung settings are not available, but the psalms are properly songs and the rubrics expect them to be sung at Mass.
Can a friend or family member sing the psalm at our wedding or funeral?
Yes, with the celebrant's permission. Coordinate with your parish music director ahead of time so the singer can rehearse with the appropriate setting.

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